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African Polyphony and Polyrhythm: Musical Structure and Methodology Simha Arom
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Thom (Cambridge: Cambridge University Press, 1991), 8. Figure 7.8 Accompaniment and bass polyrhythm in Road to Rome. 83 Simha Arom, African Polyphony and Polyrhythm: Musical Structure and Methodology, trans. Pamagat, African Polyphony and Polyrhythm: Musical Structure and Methodology . African Polyphony and Polyrhythm: Musical Structure and Methodology. New York, NY: Cambridge University Press, 1991. Examples of publications that prioritise the cultural methodologies over polyphonic texture. African “musics” and musical cultures are discussed with regard to issues of and vocabulary of terms for use in analysis of the structural and other . Arom's treatment of African music is fantastic. The reader will benefit from Arom's direct experiences with African music in many ways. The essays gathered in this special issue of Research in African Literatures are . A rhythm is said to have the rhythmic oddity property if no pair of onsets partition the rhythm into two sub-rhythms of equal duration [1, 2, 8].